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© 2003 Columbia
College Chicago |
top |
EDITING CONCENTRATION
COURSE DESCRIPTIONS
24-2401 Editing I
4 Cr. (previously
known as Editing the Narrative Film I)
This course provides a basic narrative editing experience in three areas:
developing information-handling skills to deal with large amounts of film
and audio material, acquiring the means to apply ideas about that material
in order to develop an authorial approach, and using digital, non-linear
off-line video editing equipment for each student to edit their own filmic
interpretation. Students receive critiques of their work after each project
to determine the development of their proficiency of craft and creativity.
Editing I is the first class in the Editing concentration and is required
in order to take advanced courses. The fundamental skills established in
this course provide the foundation for the work in Editing II.
Prerequisites: Film Production II
24-2402 Editing II
4 Cr. (previously
known as Editing the Narrative Film II)
This course provides advanced narrative editing experience in three areas:
developing information-handling skills to deal with large amounts of film
and audio material, acquiring the means to apply ideas about that material
to develop an authorial approach, and using digital, non-linear off-line
video editing equipment for each student to edit their own filmic interpretation.
This course builds out of the foundation of knowledge taught in Editing I.
Projects grow with increasing complexity. Students receive critiques of their
work after each project to determine the development of their proficiency
of craft and creativity.
Prerequisites: Editing I
24-2403 Editing III
(The Feature) 4 Cr. (previously
known as Editing the Narrative Film III)
This course provides advanced narrative editing experience in three areas:
developing information-handling skills to deal with large amounts of film
and audio material, acquiring the means to apply ideas about that material
to develop an authorial approach, and using digital, non-linear off-line video
editing equipment for each student to edit their own filmic interpretation.
This course builds out of the foundation of
knowledge taught in Editing the Narrative Film I. Projects grow with increasing
complexity. Students receive critiques of their work after each project to
determine the development of their proficiency of craft and creativity.
Prerequisites: Editing II
24-3406 Advanced Editing
Seminar: Narrative 3 Cr
This course will provide an opportunity for advanced editing students to cut
independent projects, advanced directing, and thesis projects in a classroom
environment. This course will also provide editing students with a reel of
their work for use in future endeavors.
Prerequisites: Permission of the instructor. Priority given to students in
their last
semester of study.
24-4420 Motion Graphics
I 4 Cr. (previously known as Digital and Optical Effects
I)
Compositing is one of the fastest growing areas in film post production. In
this course, students will learn techniques to digitally integrate software
and composite layers of images. Through the discussion of concepts and design,
students will learn techniques to creatively use software tools to achieve
dramatic and artistic effects. Students will be introduced to current software
and concepts used for cutting edge motion graphics and compositing in motion
pictures, television, commercials and music video. Example of
outside works will be presented and analyzed in class. Students will be encouraged
to learn from each other's examples, problems, and solutions.
Prerequisites: Editing I and Completion of the Film/Video Core with grade of C or better.
24-4421 Motion Graphics
II 4 Cr (previously known as Digital and Optical Effects
II)
This course is a continuation of Motion Graphics I. It is assumed
that you already have a working knowledge of Adobe After Effects, Photoshop
and Illustrator. Through the discussion of concepts,techniques, protocols,
and hands-on projects, students will improve their design, compositing and
animation craft. Additionally, students will rely upon the individual and
collective imagination and creativity of the class
to complete their work.
This is a project driven class: working in groups, students will create and
critique complex projects throughout the semester within challenging deadlines.
Successful students will be encouraged and learn from each other's examples,
problems, and solutions. Each student's work must exhibit detailed attention
to craft. Examples of outside work will be presented and analyzed in class.Hands-on
work will enable students to become proficient in current software and concepts
used for cutting-edge motion graphics and compositing in motion pictures,
television, commercials and music video.
Prerequisites: Motion Graphics I
24-4422 Motion Graphics
III 3 Cr ((previously known as Digital and Optical Effects
III)
Students will learn complex film and video compositing focusing on mastering
design and the use of high end two-dimensional software. This course is designed
to create high-end digital and optical effects through collaboration with
advanced animators and cinematographers.
Prerequisites: Motion Graphics II and Instructor's Approval
24-4407 Advanced Editing
Seminar: Digital Optical Effects, Motion Graphics 3 Cr
This course will provide an opportunity for advanced digital optical effects
students to create independent projects in a classroom environment. This course
will also provide digital optical effects students with a reel of their work
for use in future endeavors.
Prerequisites: Motion Graphics III
24-4403 Editing the
Documentary 4 Cr.
This course provides documentary editing experience in three areas: developing
information-handling systems to deal with large amounts of filmic material,
acquiring the means to apply ideas about that material in order to develop
a comprehensive authorial approach, and using digital, non-linear off-line
video editing equipment for each student to edit their own filmic interpretation
from a variety of source material.
Prerequisites: Editing I and Completion of the Film/Video Core with grade of C or better.
24-4404 Editing the
Commercial 4 Cr.
This class will emphasize editing and post-production producing under tight
deadlines. Students will be required to edit commercials, trailers, and PSA's
completing a project every two weeks. Work will be assigned to teams who will
divide the various tasks necessary to complete each project. Students will
also act as the post-production supervisor which will require them to contract
with students working in other advanced digital classes.
Prerequisites: Editing I and Completion of the Film/Video Core with grade of C or better.
24-4427 Advanced Editing:
The Postproduction Supervisor 3 Cr.
Class is designed for the advanced editing student who is working as a postproduction
producer. Content emphasizes pre-production decisions necessary for postproduction:
scheduling, budgeting, hiring personnel, and allocating facilities and equipment.
Class explores various national and international distribution requirements.
Students learn strategies for communicating with third party vendors including
sound, labs, and postproduction houses. Class uses feature length film as
model.
Prerequisite: Editing I and Completion of the Film/Video
Core with
grade of C or better.
24-4425 The Assistant
Editor 3 Cr
This course is designed to give students thorough training in all the protocols
for being an editing assistant. The primary focus of the class will be on
the handling of 16 and 35mm film elements along with use of the equipment
necessary for finishing a project on film using uprights, flatbeds, gang synchs
etc. Students will learn the proper practices and procedures for working with
the lab, organizing materials, logging, snyching, and coding of film and mag
stock in preparation for editing. Several exercises will teach the
fundamentals, and the final project will be to cut a short feature length
film.
Prerequisite: Editing I and Completion of the Film/Video Core with grade of C or better.
24-4429 Experimental
Editing 3 Cr
This course will provide alternative editing strategies in the following areas:
Developing experimental cutting innovations and problem solving techniques
for narrative and non-narrative expression and the incorporation of "found"
footage in both documentaries and narrative projects, using non-linear editing.
Experimental Editing surveys the techniques of experimental editing, such
as Eisenstein's Montage Editing,
Surrealism, Jump Cuts and the French New Wave,Video Art, Assemblage Films,
MTV and the Music Video. Through a series of exercises, students learn alternative
editing strategies for both narrative and non-narrative work. Students cut
three short projects based upon experimental tradition and a long final project.
Students receive in-class and written critiques examining the development
of their technique after each editing exercise. Students edit a long final
project using their choice of editing strategy covered in class. Projects
develop with increasing complexity and enable students to apply their ideas
about experimental film to their material in order to develop their own style
and aesthetic.
Prerequisite: Editing I and Completion of the Film/Video Core with grade of C or better.
24-4428 Advanced Editing:
Avid Media/Film Composer 4 Cr.
This course provides an advanced editing experience in three areas: Developing
information handling skills to deal with large amounts of film and audio material,
acquiring the means to apply that knowledge, and using Avid Media/Film Composer
equipment for each student to complete their assigned projects.Through a
series of exercises, students learn the organizational skills necessary to
edit projects on the Avid Media/Film Composer and advanced knowledge of post-production
protocols in digital editing. Specific skills include video finishing skills
with 30 fps projects, off-line editing, developing Edit Decision Lists (EDLs)
and on-line editing. Other skills include film finishing skills with 24 fps
projects, keycode and logging, syncing footage, off-line editing at 24 fps
and generating keycode lists for conforming. Students receive critiques of
their work after each project to determine the development of their proficiency
of craft and creativity. The course will culminate with the editing of a film
project from off-line to online and the generation of a keycode cutlist.
Prerequisites: Application with the instructor. Applicants must have a film project that they are ready to edit.
24-4424 On-Line Workshop
for Editors 1 Cr.
An intensive two-day seminar in on-line editing. Students will perform on-line
edits and learn the basic operation of the Discreet Logic edit*.
Prerequisites: Editing II
24-4422 Photoshop Workshop
for Editors 1 Cr
An intensive two-day seminar in Photoshop, this course will assist editing
students in video finishing. Photoshop can be used as a tool for graphics
production for film and video. Students will learn titling, alpha channels,
mattes, etc. This course is designed for beginning and intermediate Photoshop
users.
Prerequisites: Editing I
24-4423 Graphic Design
Workshop for Editors 1 Cr
An intensive two-day seminar in graphic design. The focus will be on layouts,
typography, color theory, motion graphics, along with trends in design. Students
will refine their graphic design in order to improve the presentation of their
film and video work. This course will be taught by graphic design specialists.
Work will be created and critiqued in the workshop.
Prerequisites: Motion Graphics I
Internships
24-6030 Internship
Film & Video Cr. Variable
Internships
provide advanced students with an opportunity to gain work experience in an
area of concentration or interest while receiving academic credit toward their
degrees.
Prerequisites: Students should have 20 credit hours completed in the Editing Concentration before applying for an internship.
Independent Projects
24-6492-98 Independent
Project: Film & Video Post-Production 1-2 credits
An independent project is designed by the students, with the approval of a
supervising faculty member, to study an area that is not presently available
in the curriculum. Prior to registration, the students must submit a written
proposal that outlines the project. This project would be appropriate for
students who are
working on post-production of a film or video, or a multimedia project.
Prerequisite: Editing I and Permission of the Area Coordinator
TYPES OF EDITING INDEPENDENT PROJECTS:
Pre-Postproduction
(24-6492) 1-2 credits
Provides the independent editor an opportunity to log and organize their project
in preparation for editing.
Narrative short (24-6493)
1-2 credits
Provides the independent editor or independent filmmaker an opportunity to
edit a short narrative film.
Documentary Short (24-6494)
1-2 credits
Provides the independent editor or independent filmmaker an opportunity to
edit a short documentary film.
Experimental Short
(24-6495) 1-2 credits
Provides the independent editor or independent filmmaker an opportunity to
edit a short experimental film.
Motion Graphic/Special
Effects (24-6496) 1-2 credits
Provides the independent editor or independent filmmaker an opportunity to
create a motion graphics or special effects for a short film.
Music Video (24-6497)
1-2 credits
Provides the independent editor or independent filmmaker an opportunity to
edit a music video.
Director's/ Editor's
Reel (24-6798) 1-2credits
Provides the independent editor or independent filmmaker an opportunity to
edit a reel of their work.
These projects, which are open to editing students, are applied for through
the Producing Concentration:
Postproduction/Distribution
& Marketing Strategy (24-9075) 1-2 credits
Postproduction supervision and release strategy.Minimum
Expected Outcome: Completed film and/or tape ready for release. A realistic
and executable marketing and distribution strategy.
This project is applied for through application to the Producing Concentration.
Independent Project:
Semester in Los Angeles (24-9076) 4 cr.
Intensive multi-element project customized to student's interests. In general,
each project must complete the following elements: case study: studio analysis;
daily reports based on industry dailies, calling and networking with industry
professionals; five pitch sessions; a minimum on-site industry observation
and analysis (internship is optional. This project is applied for through
application to the Producing
Concentration.
More Suggested Courses for Editing Students:
24-4910 Multimedia
Techniques: Digital Production for the Internet 4 cr.
Students learn how to combine their existing skills and develop new ones in
digital video production, computer animation, image manipulation, and digital
editing. In this project-oriented class students learn to synthesize several
media elements on a computer to produce an original work for display on the
Internet. Instruction emphasizes basic programming techniques as well as artistic
and commercial applications of multimedia.
Prerequisite: 24-2910 Production III (B or better) and completion of the Film and Video core (C or better)
24-4920 Production
IV: Avid XPress 4 cr.
The technical focus of this production class is on the AVID media composer
and advanced, electronic production equipment. Students learn sophisticated
nonlinear digital editing including digitizing, titling, audio mixing, and
special effects. Class culiminates in a personal, 5-minute project that each
student develops from script to final on-line edit. Prerequisites: Editing
the Narrative I or Production III Permission of
Instructor
24-2101 Postproduction
Audio I 4 cr.
The techniques
of digital sampling (i.e. the storage, manipulation, and playback of sound
effects using a computer) have become an important tool of the contemporary
filmmaker. This course will explore the concepts of digital storage and processing
of sound and methods of creating and manipulating sound using a microcomputer.
Students will progress through a series of production exercises that allow
them to gain
useful practical experience in the creation of a film sound track.
Prerequisite: FilmProduction II
24-2102 Postproduction
Audio II 4 cr.
A concentrated
workshop on post-production sound gathering and editing techniques which implements
the methods of music editing, recording sound effects and special sounds,
and creating images with music concrete, the course will also focus on the
helping the students to visualize the track building process.
Prerequisite: 24-1102 Film Production II
24-3120 Preparation
for the Audio Mix 4 cr.
Course offers in-depth study of the art of mixing the final sound track for
visual mediums. Both linear and nonlinear systems are employed, teaching students
proper applications. Students receive group and one-on-one instruction and
are required to use extensive out-of-class lab time. Outside projects as well
as those created within the department give students hours of hands-on experience
and exposure to a variety of techniques.
Prerequisite: 24-2101 Postproduction Audio I, 24-3122 Audio for the Visual Medium II, permission of instructor
24-1100 Visual Audio
4 cr.
Theory of the audio impact on visual images is explored in this beginning
sound for film class. Students develop skills and gain understanding through
demonstration and creation of their works. Class discusses the completion
and delivery of entire soundtrack to the viewer.
24-1101 Film and Video
Sound 4 cr.
Course introduces students to theory and techniques of sound recording as
applied to the film and video mediums. Students learn to record and edit voice
and sound effects. Course examines the theory behind advanced motion picture
sound, sync systems, and digital multi-track recording systems.
Prerequisite: 24-1010 Film Production I (C or better)
24-2104 Music for Film
and Video 3 cr.
Students are introduced to elements of music and ways in which these elements
may be used to create a musical style that enhances the visual statement.
Course emphasizes understanding the function of the score and how it relates
to texture, color, and drama in music. Students explore their creativity using
the tools available, work on projects of increasing complexity, and complete
a score for their own film or video as a final project. Listening skills,
music vocabulary, and business and legal aspects of the profession are
also studied.
Prerequisite: Completion of Film and Video core (C or better)
24-3120 Preparation
for the Audio Mix 4 cr.
Course offers in-depth study of the art of mixing the final sound track for
visual mediums. Both linear and nonlinear systems are employed, teaching students
proper applications. Students receive group and one-on-one instruction and
are required to use extensive out-of-class lab time. Outside projects as well
as those created within the department give students hours of hands-on experience
and exposure to a variety of techniques.
Prerequisite: 24-2101 Postproduction Audio I, 24-3122 Audio for the Visual Medium II, permission of instructor
24-3122 Audio for the
Visual Medium II 4 cr.
Course is intended for advanced students who wish to gain more insight and
experience in preparing and mixing sound tracks for film. Students work in
teams to complete class projects during additional weekly lab times.
Prerequisite: 24-3120 Postproduction Audio II
24-2203 Optical Printing
I 3 cr.
Course serves as a general introduction to the optical printer and its capabilities,
emphasizing the basic operation of a J-K printer. Exercises involve control
of focal techniques, exposure, time manipulation, superimposition, fades and
dissolves, high contrast processing, mattes and countermattes for wipes and
insets, blow-up and reduction, color adjustment, combination, and isolation.
Prerequisite: 24-1010 Film production I (C or better)
24-2204 Visual Effects
3 cr.
Through practical hands-on application, students learn methodology of visual
effects production. Students acquire general knowledge of a variety of skills
needed to effectively produce and direct a visual effects sequence.
Prerequisite: 24-2202 Camera Seminar I and 24-1200 Lighting I
24-2206 Telecine 3
cr.
Students acquire a working knowledge of the aesthetics and technical aspects
of the film-to-tape transfer process known as telecine. Content addresses
theory and application of color correction, image control, and manipulation
techniques. Principles of color theory and the tools available to filmmakers
engaged in the processes of electronic media and image manipulation are explored
through lecture, interactive computer
exercises, and hands-on telecine experience.
Prerequisite: 24-3202 Special Studies in Cinematography I
top
24-2801 Documentary I 3 cr.
Course explores wide variety of styles and techniques used in documentary
filmmaking from the first films made out-of-doors in the early years of cinema,
through the documentaries of today. Students explore a broad range of classical
and innovative approaches and discuss television documentaries, cinema verite,
and re-enacted cinema.
Prerequisite: 24-1102 Film Production II
24-2910 Production
III 4 cr.
Project-oriented course introduces filmmakers to portable video and digital
production techniques. Students learn videography, nonlinear digital editing,
and the basics of electronic recording. Projects are theme-based and center
around several non-narrative, alternative forms, including music videos, documentary,
diary, and other experimental approaches.
Prerequisite: 24-1102 Film Production II
24-2201 Image Design
for Cinema 3 cr.
Class examines issues of visual communication and design of the cinematographic
image. Through lectures, practical assignments, and critiques, students refine
their ability use images to see, conceive, and communicate most effecitively.
They also develop critical thinking necessary for filmmakers when creating
the visual concept of the story.
Prerequisite: 24-1010 Film Production II and 24-1510 Aesthetics of Film and Video (both C or better)
24-2301 Directing I
6 cr.
Course begins study of the basic relationship between actor, text, and director,
then expands to include directorial use of storyboards, camera plots, brackets,
and shooting scripts as tools for camera placement. Emphasis is on development
of director's camera placement and breakdowns, beat analysis, rehearsal techniques,
and casting.
Prerequisite: Completion of Film and Video core (C or better)
24-2710 Screenwriting
II: Writing the Feature Film 3 cr.
Course teaches students to produce longer and more complex screenplays; facilitates
a deeper understanding of the screenwriting process; and enables students
to develop character, story, and linear structure. Students master systematic
work habits in order to fully develop the screenplay, from initial idea to
completed script. Course also provides students with the opportunity for consistent
critique of their screenwriting.
Prerequisite: 24-1710 Screenwriting I (B or better)
Special Topics: Avid
Seminar 1 cr
An intensive two day workshop on the Avid. Offered to film students through
the
Television Department, students will receive hands on experience on the Avid.