 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
SPRING 2004 MINIMUM GRADE AND PREREQUITES |
||
| Go
to: Core Alternative
Forms Animation Audio Cinematography Critical Studies Directing Documentary Editing Producing Screenwriting Miscellaneous |
||
| Grade Prerequistes | ||
|
Aesthetics of Cinema |
Minimum grade of C |
|
|
Animation I |
Minimum grade of C |
|
|
Animation II |
Minimum grade of C |
|
|
Animation III |
Minimum grade of C |
|
|
Animation Production Studio I |
Minimum grade of C |
|
|
Production I |
Minimum grade of C |
|
|
Production II |
Minimum grade of C |
|
|
History of Cinema |
Minimum grade of C |
|
|
Development and Preproduction |
Minimum grade of C |
|
|
Screenwriting I:Writing the Short Film |
Minimum
of B for Screenwriting Concentration |
|
|
Production III |
Minimum grade of B |
|
CORE CLASSES--PREREQUISITES |
||
|
Aesthetics of Cinema |
English Composition I |
|
|
Production I |
Development & Preproduction and English Composition I
|
|
|
Production II |
Production I, and completion of Math and Computer General Education Requirements
|
|
|
History of Cinema |
English Composition I
|
|
|
Development & Preproduction |
English Composition I
|
|
|
Screenwriting I |
Development & Preproduction and English Composition I
|
|
CONCENTRATIONS--PREREQUISITES
|
||
ALTERNATIVE FORMS |
||
|
Experimental
Video & Digital Production |
Production III and completion of Film/Video core
|
|
|
History
of Video and Digital Art |
History of Cinema and Aesthetics of Cinema
|
|
|
Production III |
||
|
Multimedia
Tech: Digital Production for the Internet |
Production III and completion of Film/Video core
|
|
|
Music
Video Production |
||
|
Production
IV: Avid Xpress
|
||
|
Acting
for Animators |
||
|
Advanced Computer
Animation I |
||
|
Animation
I |
English Composition
|
|
|
Animation II |
Animation I and Development & Preproduction
|
|
|
Animation III
|
Animation II
|
|
|
Animation Camera
and Sound |
Animation I
|
|
|
Animation Semester in LA Prep |
Animation II, Drawing for Animation I, and Permission of Instructor
|
|
|
Intro to Computer Modeling |
Intro to Computer Graphics, and either Drawing for Animation or Stop Motion Animation
|
|
|
Animation I
|
||
|
Alternative
Strategies in Animation |
Animation II
|
|
|
Stop Motion Animation |
Animation I
|
|
|
History of Animation
|
English Composition I
|
|
|
Digital
Animation Techniques |
Drawing for Animation I
|
|
|
Advanced Computer
Modeling |
Intro to Computer Modeling
|
|
|
Stop Motion Animation
II |
Stop Motion Animation I
|
|
|
Computer
Animation I |
Animation II and Intro to Computer Modeling
|
|
|
Computer Animation
II |
Animation II and Intro to Computer Modeling
|
|
|
Computer Animation
III |
Computer Animation I and Computer Animation II
|
|
|
Animation
Work-in-Progress |
Animation III
|
|
|
Animation
Production Studio I |
Senior Status and Animation III
|
|
|
Animation
Production Studio II
|
Senior Status and Animation Production Studio I |
|
AUDIO |
||
|
Advanced
Location Sound Recording |
Location Sound Recording
|
|
|
Audio for the Visual Medium II |
Postproduction Audio II or Audio for the Visual Medium I
|
|
|
Film/Video Sound |
Visual Audio (or concurrent) and Production I (or concurrent)
|
|
|
Completion of Film/Video Core with grade of C or better and Film/Video Sound or Basic Audio Systems
|
||
|
Music for Film and Video |
Completion of Film/Video Core with grade of C or better
|
|
|
Postproduction Audio I |
Film/Video Sound and Production II (or concurrent) or Editing the Narrative Film I ( or concurrent)
|
|
|
Postproduction Audio II |
||
|
None
|
||
|
Independent Project: Location Audio |
Location Sound Recording, Competed Application and Permission of Supervisor, Audio Curriculum Coordinator and Department Chair
|
|
|
Independent Project:
Audio Post Production
|
Post
Production Audio I, Competed Application and Permission Of Supervisor,
Audio Curriculum Coordinator and Department Chair |
|
|
Cinematography: Camera Seminar I |
Completion of Film/Video Core with grade of C and Lighting I
|
|
|
Cinematography: Camera Seminar II |
Cinematography: Camera Seminar I (grade of A or B required) required) and Special Studies in Cinematography I (grade of A or B required) and permission of instructor
|
|
|
Compositing for Cinema |
Special Studies in Cinematography I and Optical Printing I
|
|
|
Contemporary Trends in Cinematography I |
Special Studies in Cinematography
|
|
|
Digital Cinematography |
Optical Printing I, Cinematography: Camera Seminar II, Lighting II and Special Studies in Cinematography I
|
|
|
Production I and Aesthetics of Cinema
|
||
|
Production II
|
||
|
Lighting I |
Production I
|
|
|
Lighting II |
Lighting I and Camera Seminar I
|
|
|
Lighting III |
Lighting II, Camera Seminar II, and permission of cinematography coordinator
|
|
|
Production I
|
||
|
Photo Theory/Laboratory Practice |
Completion of Film/Video Core with grade of C or better
|
|
|
Visual Effects |
Camera Seminar I and Lighting I
|
|
|
Special Studies in Cinematography I |
Cinematography: Camera Seminar I, Lighting I, Image Design for Cinema and concurrent or after Photographic Theory/Laboratory
|
|
|
Special Studies in Cinematography II |
Special Studies in Cinematography I (grade of A or B required) Cinematography: Camera Seminar II (maybe taken concurrently), Lighting II and permission of instructor
|
|
|
Telecine |
||
|
Independent Project:
Cinematography |
Completed Application, Permission of Supervisor and Cinematography Concentration Head and Signature of Department Chair
|
|
|
Completion of Film/Video Core with grade of C or better
|
||
|
Studies in Genre: Cult Classics |
Completion of Film/Video Core with grade of C or better
|
|
|
Aesthetics of Cinema and History of Cinema
|
||
|
Short Forms in Film/Video |
Completion of Film/Video Core with grade of C or better
|
|
|
Two Visions: Cassavetes
and Altman
|
Aesthetics
of Cinema and History of Cinema |
|
|
Acting Techniques for Filmmakers |
Production I
|
|
|
Directing I |
Completion of Film/Video Core with grade of C and Acting Techniques for Filmmakers or Acting I: Basic Skills
|
|
|
Directing II |
Directing I
|
|
|
Directing III |
Directing II and permission of instructor
|
|
|
Directing for the Camera |
Directing I
|
|
|
Independent Project:
Directing
|
Directing
I, Completed Application, Permission of Supervisor and Directing
Concentration Head and Signature of Department Chair |
|
|
Documentary Vision and Production III
|
||
|
Creating the Personal Documentary |
Production III or The Documentary Vision
|
|
|
English Composition I
|
||
|
Documentary Vision
|
||
|
Completion of Film/Video Core with grade of C or better
|
||
|
Representation and Activism |
The Documentary Vision or Production III
|
|
|
The Documentary Vision or Permission of Instructor
|
||
|
Sound of Documentary |
The Documentary Vision and Permission of Documentary Concentration Head
|
|
|
Independent Project:
Documentary
|
Documentary Vision, Completed Application, Permission of Supervisor and Documentary Concentration Head and Signature of Department Chair |
|
|
Advanced Editing: Avid Media Composer |
Permission of Instructor
|
|
|
Advanced Editing: Experimental Editing |
Editing the Narrative Film I and either Production III or Short Forms
|
|
|
Advanced Editing: Finishing Strategies |
Editing the Narrative Film I and Completion of the Film/Video Core with grade of C or better
|
|
|
Advanced Editing: Digital and Optical Effects I |
Editing the Narrative Film I(concurrent) and Completion of the Film/Video Core with grade of C or better
|
|
|
Advanced Editing: Digital and Optical Effects II |
Advanced Editing: Digital and Optical Effects I and Finishing Strategies
|
|
|
Advanced Editing: Digital and Optical Effects III |
Advanced Editing: Digital and Optical Effects II
|
|
|
Advanced Editing Seminar |
Permission of the Instructor
|
|
|
Advanced Editing: The Postproduction Supervisor |
Editing the Narrative Film I and Completion of the Film/Video Core with grade of C or better
|
|
|
Assistant Editor |
Editing the Narrative Film I
|
|
|
DVD Design and Authoring |
Editing the Narrative Film I and Digital and Optical Effects II
|
|
|
Production II
|
||
|
Editing the Narrative Film II |
Editing the Narrative Film I and Completion of the Film/Video Core with grade of C or better
|
|
|
Editing the Commercial |
Editing the Narrative Film I and Completion of the Film/Video Core with grade of C or better
|
|
|
Editing the Documentary |
Editing the Narrative Film I and Completion of the Film/Video Core with grade of C or better
|
|
|
Graphic Design Workshop for Editors |
Advanced Editing: Digital & Optical Effects I
|
|
|
Production III or Editing the Narrative Film I and permission of instructor
|
||
|
On-Line Workshop for Editors |
Editing the Narrative Film II
|
|
|
Editing the Narrative Film I
|
||
|
Production IV: Avid Xpress |
Production III
|
|
|
Editing
the Narrative Film I or Production III, Completed Application Permission
of Supervisor and Editing Concentration Head and Signature of Department
Chair |
||
|
Acceptance into Program
|
||
|
Acceptance into Program
|
||
|
Producing I: Production Manager |
Completion of Film/Video Core with grade of C or better
|
|
|
Producing II: Producing the Independent Film |
Producing I: Production Manager
|
|
|
Producing III: Film Financing . |
Producing I: Production Manager
|
|
|
Producing IV: Project Development |
Production Manager and Script Analysis
|
|
|
Production II
|
||
|
Independent Project: Producing |
Completed Application, Permission of Supervisor and Producing Concentration Head and Signature of Department Chair
|
|
|
Internship:
Los Angeles
|
Permission
of Producing Concentration Head |
|
|
Adaptation |
Screenwriting I (grade of B or better), Production I, and Aesthetics of Cinema
|
|
|
Comparative Screenwriting |
Screenwriting II with grade of B or better and Script Analysis (may be concurrent)
|
|
|
Genres in Screenwriting |
||
|
Ideation and Theme: Portfolio Review |
Junior or Senior Status, Screenwriting II with grade of B or better, Genres in Screenwriting, Comparative Screenwriting, Adaptation Screen Treatment & Presentation, and at least 2 electives (may be taken concurrently with ONE of the listed prereqs)
|
|
|
Script Analysis |
English Composition I and Aesthetics of Cinema (Aesthetics may be taken concurrently)
|
|
|
Screen Treatment & Presentation |
Screenwriting II with grade of B or better, and a completed rough draft of a short 10-30 pg. script and a full length 120 pg. Draft. Script Analysis highly recommended.
|
|
|
Screenwriting II:Writing the Feature Film |
Screenwriting I with grade of B or better and remaining Film/Video Core with grade of C or better
|
|
|
Screenwriting III:Senior Thesis |
Senior Status, Screenwriting II with grade of B or better and Ideation and Theme
|
|
|
Screenwriting Workshops |
Screenwriting II with grade of B or better
|
|
|
Topics in Screenwriting: |
Screenwriting II with grade of B or better
|
|
|
Screenwriting Independent Projects |
Screenwriting II with grade of B or better, Completed application with Proper signatures |
|
MISCELLANEOUS---PREREQUISITES |
||
Internship |
See Dirk Matthews in Career Placement, Room 300, 623 S. Wabash.
|
|
| Advanced Production Seminar |
Completion of Core Curriculum and Permission of Instructor |
|
| ©
2001 Columbia College Chicago 600 South Michigan Avenue Chicago, IL 60605-1996 Telephone: 312-663-1600 |
top | |